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BIO

BIOGRAMA is a minimalist audiovisual collective based in the city of Bogotá, formed by Diana Jiménez, Nicolás Olivero and Federico Olivero. The group formed in 2010, however, released its first single "Difuzo" in mid-2016, a song that competed in Viva Latino Rock festival finishing semi-finalist. In that same year, the band participated in the festival La Coneja Ciega carried out in RPM records. Additionally, it is part of "La casetería" in the year 2017, a festival that took place in Mono Bandido.

In 2018, the band launches its first installation and interdisciplinary creation called "Pulse" work that was awarded a scholarship by the Center for Scientific Research of the District University (CIDC), being the R101 theater the premiere venue.


MEMBERS


Diana Jiménez (April 1996)

Responsible for percussion, samplers and visual design of the agupacion. In addition to being a professional dancer with an emphasis on contemporary dance, she is in charge of articulating the image and sound.


Federico Olivero (December 1994)

In charge of percussion and samplers, he is the co-founder of the band with his brother Nicolás.
At an early age he became interested in percussion instruments, entering the Mosquera symphonic band, where he stayed for a period of five years. Later, he moved with his family to the city of Bogotá where he enrolled in the faculty of arts ASAB of the District University culminating the preparatory program only.

Its main characteristic is the incorporation of electronic percussion sounds (glitch hop, techno, dance) due to its musical influences as: Long Arm, Disclosure, Brandt Brauer Frick, Mark Guilliana, Eric Harland, Howling, and The Acid.


Nicolás Olivero (September 1992)

Guitarist, singer and main composer of BIOGRAMA. In addition, he is in charge of the audiovisual design of the group.

He studied composition at the faculty of arts ASAB of the District University, a factor that allows him to provide the band with textural, timbral and rhythmic elements alternate to electronic music.

His influences are: Apparat, Jon Hopkins, Ry X, Ólafur Arnalds, Nils Frahn, Ryuchi Sakamoto and Rioji Ikeda.

 

AUDIOVISUAL PERFORMANCE

From the year 2017 the band decided to add to its composition an audiovisual setting that would alternate different disciplines on the stage and cause a different impact on the audience. The particularity lies in the synchronization via MIDI that is done through the computers that the group uses during their live performances.

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